How to Market a Book With No Audience
To market a book with no audience, start with people who already read books like yours. Choose a specific reader, prepare a book page that makes the book’s appeal clear, and reach those readers through a relevant reviewer, community, newsletter, or event. Then give interested people a way to stay in touch.
You can start with no social media followers or email subscribers. Your first goal is to learn which readers respond to your book and how to reach more of them. The steps below work before publication or after a quiet launch.
Write one sentence that describes who the book is for and why that person might choose it. Include the reading experience, subject, or problem that connects the reader to the book.
These are hypothetical examples:
· A mystery novel for readers who enjoy small towns, amateur detectives, and little on-page violence.
· A gardening guide for renters growing vegetables in containers.
· A picture book for parents looking for a read-aloud about starting school.
For children’s books, consider both the child and the adult choosing the book. A parent may want a bedtime story. A teacher may need a story that supports a classroom discussion. Those needs suggest different places to promote it.
Next, study a few books that serve the same readers. Look at their covers, descriptions, reader reviews, and the places where people discuss them. Notice what readers praise or dislike. Use those observations to explain your own book accurately.
Before seeking traffic, look at the page where you will send people. Can someone who has never heard of you understand what the book offers?
Check the following:
· The cover remains readable at a small size and fits the book’s genre or subject.
· The opening of the description gives readers a reason to keep reading.
· The sample shows the quality and style of the book.
· The intended age range is clear when it matters.
· The purchase link works and leads to the correct format.
For fiction, introduce the main character, central problem, and stakes without explaining the whole plot. For nonfiction, state the problem the book addresses and what it helps readers do. Keep claims within what the book actually delivers.
If your cover needs work, our guide to book cover design costs can help you plan the expense. If the sample needs editing, read our comparison of proofreading, copyediting, and line editing.
For books on Amazon, check the search terms in your KDP book details. Amazon’s keyword guidance recommends terms that describe the content and match how readers search. Avoid unrelated author names or misleading phrases. Useful keywords give Amazon more relevant information about the book; they do not guarantee sales.
Start with one channel you can maintain. Choose it because your intended readers are there and you can offer something they want.
Look for reviewers, book clubs, podcasts, and newsletters that cover your genre. Read their recent posts before contacting them. A reviewer who accepts historical mysteries may have little interest in a science fiction thriller.
Follow submission instructions. Check whether they accept self-published books, which formats they read, and whether submissions are open. Prepare a short description, genre, publication date, and sample link so you can respond when requested.
Find organizations and communities connected to the book’s subject. Consider offering a short talk, guest article, interview, or worksheet that helps their members.
For example, the hypothetical container-gardening author could offer a local gardening group a session on growing herbs in small spaces. The topic gives the organizer a clear reason to consider the author. The Nonfiction Authors Association also recommends working with relevant organizations and contributing to their newsletters, events, and groups.
Consider libraries, parent groups, teachers, and organizations connected to the story’s theme. Offer an activity suited to the children’s ages, such as a reading followed by a drawing prompt.
Check the organization’s submission and visitor requirements. Ask whether book sales or parent order information are allowed. Direct any newsletter invitation to adults.
You can use these routes without maintaining several social media accounts. If you enjoy social media and your readers use it, choose one platform and treat it as one part of the plan.
A useful pitch explains why the book or activity belongs in that particular place. Keep it short and make one request.
Here is a hypothetical pitch for the gardening author:
Hello [Name], I saw that your group has an upcoming session on gardening in small spaces. I’ve written a guide to growing vegetables in containers. I could offer a 20-minute session on choosing containers and starting a first crop, with a take-home checklist. Would that fit a future meeting?
Only mention a meeting, article, or interest you have actually checked. Change the offer to suit the recipient. For a reviewer, ask whether they are accepting books in your genre and follow their preferred submission process.
Make a short list of suitable contacts. Record what you offered, when you sent it, and any response. Send a polite follow-up if their instructions allow it, then move on. A lack of response does not tell you whether readers would enjoy the book.
In online communities, participate before posting a sales link. Answer relevant questions and follow the rules. Ask the moderator before sharing an offer if permission is unclear.
Create a simple page with your book’s description, cover, purchase link, and an optional email signup. Explain what subscribers will receive and how often you plan to email them.
You might offer a separate short story related to a novel, a worksheet connected to a nonfiction book, or an activity sheet for parents and teachers. Choose something that attracts the same people who might want the book.
A general gift-card drawing may attract people interested in the prize. A worksheet tied to the book’s subject gives you a clearer reason to follow up with subscribers about that topic.
The signup page also needs visitors. Link to it from an approved guest article, event handout, profile, or community contribution. Simply creating the page does not bring readers to it.
When someone signs up, deliver what you promised. Then send relevant updates at a pace you can maintain. Use an email service with an unsubscribe option, and avoid adding people who have not agreed to receive your newsletter.
If your ebook is enrolled in KDP Select, check Amazon’s exclusivity requirements before distributing its contents elsewhere. Amazon limits off-Amazon distribution during enrollment and permits a sample of up to 10%. Consider a separate bonus that does not reuse the enrolled book’s text.
Some author promotions can help you reach readers before you have a mailing list. For example, StoryOrigin’s group promotion guidance says authors can apply with zero email subscribers.
That does not mean every promotion will accept you. Check the genre, content rules, sharing requirements, and any costs before joining. Ask the organizer what you can contribute if you have no current audience. Do not promise email reach you cannot provide.
A direct newsletter swap may make more sense later, once you have subscribers to introduce to another author. For now, a guest contribution or a group promotion that welcomes beginners may be a better fit.
Find readers who already enjoy your genre or subject and are open to receiving a copy. For a book that is still in production, use a version that is ready for readers. Explain the publication date and the format available.
Amazon allows free or discounted book copies provided you do not require a review in return or try to influence the review. Do not offer gift cards or other rewards for an Amazon review.
Make the terms clear: the copy is free, a review is optional, and the reader can share their honest opinion. Do not arrange reciprocal Amazon reviews.
Allow time for people to read. Some recipients will never review the book. Keep promoting it through other channels instead of making the whole plan depend on reviews appearing.
You can begin with outreach, community participation, and useful content. Paid advertising is optional. If you decide to test it, choose one campaign and an amount you can afford to spend without recovering it.
Amazon Sponsored Products uses a cost-per-click model. You pay for clicks, which may or may not lead to purchases. A campaign therefore needs monitoring even when the book is getting attention.
Use the royalty you earn per sale when estimating whether advertising can pay for itself.
For a hypothetical example, suppose you earn $3 per sale and spend $30 on advertising. You would need 10 additional sales attributable to that advertising to cover the ad cost alone. That calculation excludes other expenses and assumes no income from later books.
For a paid newsletter placement, check the audience’s genre interests, the placement details, eligibility rules, and the fee. A large subscriber count alone does not show whether those readers want your book.
Keep a simple record of each promotion, its date, any cost, and the response you can measure. Track clicks, email signups, replies, event attendance, and sales where that information is available.
Separate activity from results. Sending ten pitches is work completed. A relevant organizer asking for more information is evidence that the offer may fit.
Use the results to decide what to check next:
· If few people click a promotion, review its audience, wording, and placement.
· If people visit your signup page but rarely subscribe, check the offer and test the form.
· If an ad gets clicks without reported orders, review the targeting, cover, description, price, and sample.
· If subscribers stop responding, consider whether the signup offer attracted the readers you intended.
These are possible explanations to investigate. A small number of clicks or one quiet week cannot prove what is wrong. Retailer reports also may not show exactly which outside activity led to a sale.
Change one major element at a time when possible. That makes the next result easier to interpret.
Use this as a suggested work schedule. It is not a promise of sales within a month.
Week one: Define your reader, study comparable books, and review the cover, description, and sample. Choose one channel for your first outreach.
Week two: Set up a page where interested readers can buy the book or join your email list. Prepare a relevant bonus if you can offer one. Test every link and the signup process.
Week three: Contact a few suitable reviewers or organizers. Tailor each message. Continue participating in the community you selected.
Week four: Review the replies, clicks, signups, costs, and sales you can measure. Follow up where appropriate. Repeat a promising approach or revise an offer that received no interest.
If the book is already published, start with its current listing. You can improve the page, contact different readers, and run another promotion without waiting for a new release.
Write down who is most likely to enjoy your book. Then identify one place where those people already gather and one useful way to introduce the book there.
For this week, set a task you control: improve the description, prepare a sample, or send a relevant pitch. Use the response to decide what to do next.
If you need help preparing your book for readers, contact Publishmojo to discuss your project.